Here are a couple of traditional Chinese instruments, and an ancient and two modern settings for them. First, the guzheng.
The zheng or guzheng is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is 64 inches (1.6 m; 5 ft 4 in) long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from Paulownia wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear a fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands.
It can have nylon, steel, or silk strings depending on the genre.
Next, a very similar instrument, the guqin.
The guqin is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long stringed instrument also without frets, but with moveable bridges under each string.
There's quite a lot of music on YouTube featuring both instruments. Here's a traditional Chinese piece for the guqin called "Flowing Water" or "Running Water". The video description states:
In the first paragraph, the whole song starts to flow, which vaguely implies the theme tone of the whole song. 2、 The third paragraph uses overtone to write all kinds of spring sounds of mountains, streams and waterfalls. 4、 The fifth section shows that the spring of thousands of gullies flows out of the mountain and into the flood, and gradually has a turbulent trend. Since the sixth section, the water flows into the vast ocean, and the rapids cross the gorge and beach, forming a momentum of rough waves and surging unstoppable, conveying the character of fearing difficulties and dangers and forging ahead bravely. 7、 The eighth segment is the afterwave after the climax, which is slow and urgent, released and closed from time to time, and gradually calmed down. The ninth paragraph is the finale of the passing weather. This piano song is full of the harmony between man and nature, and exudes the atmosphere of the harmony of nature, earth and people. This song has both lyricism and simulation, the combination of virtual and real, the integration of scenes and the lofty atmosphere.
A copy of this piece was launched into space aboard Voyager 1 in 1977, to be found by any race or entity that might one day intercept that spacecraft.
In lighter vein, I found some modern songs that have been rescored for the guzheng. First, Hotel California by The Eagles.
And finally, Thunderstruck from AC/DC.
An interesting contrast between ancient and modern, and between two very similar instruments. Explore both of them on YouTube.
Peter
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