Tuesday, August 26, 2025

An interesting intersection of culture and war

 

One of Japan's grand masters of the tea ceremony died recently.  His obituary contained an interesting anecdote from his service in World War II.


Sen Soshitsu XV, who has died aged 102, was known in Japan as the 15th Urasenke Grand Tea Master and descendant of Sen Rikyu, the Japanese sage who perfected chado – “the way of tea”, commonly known as the Japanese tea ceremony – and raised it to the level of art.

Though tea-drinking was taken to Japan from China in the 9th century, it was Rikyu in the 16th century who laid down the rules of chado, incorporating elements of Zen Buddhism, Shinto and even, it is said, elements of the Catholic Mass, creating a ceremony which, though elaborate in its combination of ritual, meditation and aesthetics, celebrates the beauty of simplicity.

Rikyu’s legacy has been preserved by the members of the San-Senke, or “three tea ceremony” schools of the Sen family – of which the Urasenke is the most famous. Sen Soshitsu assumed the position of Grand Master of the school from his father in 1964.

. . .

He was born Sen Masaoki (he would inherit the name Soshitsu on succeeding his father as Grand Tea Master) in Kyoto on April 19 1923, the year of the Great Kanto Earthquake which devastated Tokyo and Yokohama; he was the eldest son of Sen Soshitsu XIV, the 14th head of the Urasenke tea school, and his wife Kayoko.

While reading economics at Doshisha University in Kyoto during the Second World War, he was called up for service in the Imperial Japanese navy. He volunteered as a kamikaze pilot but was turned down because the imperial authorities did not want to jeopardise the future of a revered hereditary tea dynasty.


There's more at the link.

Considering the disregard for human life - their own and the enemy's - shown by Japanese military leaders before and during the Second World War, it's incongruous to think that they would rate their traditional tea ceremony and its practitioners as more important than killing the enemy by committing suicide in a last-ditch defense of their homeland.  The Western mind doesn't work that way.  That's probably an indictment of our own "if you kill enough of them, they stop fighting" approach, which would seem to rule out any and every consideration of culture and tradition on both sides.

Peter


3 comments:

JohnN said...

Except, of course, that they *did* stop fighting. Even more strange, to my mind, is the latching on to diverse elements of decadent western culture. Jazz. Rock and roll. Baseball. Mickey Mouse. They also seem to highly value traditional culture such as orchestral music and it's instruments such as violin and piano.

Anonymous said...

“I am Richard Strauss, the composer of Rosenkavalier and Salome." Some are spared. Not Archimedes, though.

Antibubba said...

The Third Reich sought to create "traditions", whereas Imperial Japan already had a "superior" ones. Preserving those traditions was integral to Japanese identity.

I wonder if he fought at all, or was put in a safe support position?